Only
Then We Rest '95
Recorded at Loma house
Written
and recorded while S. was visiting her family for the holidays after she had
stabbed me (yes, with a knife) a few days before Christmas. We broke up and
I moved out after she got back and couldn't think of why she had done it even
though she'd had 2 weeks or so to think about it. My heart was very broken
though I don't know if I knew it then. I only knew that life was probably
going to get a lot harder very soon. It did. I actually completely forgot
about this tune for almost 7 years while these tapes were in storage 1300
miles away. I like it.
All instruments
by Jet Brown.
About The Studio:
I always referred to it as Doma Studio because 'doma' means 'home' in Russian.
It consisted of, in its final configuration, an Ampex A440 ½"
4 track (c. 1972), 2 Ampex 351 ¼" 2 track decks (c. 1955 but with
solid state amplifiers), a Tascam 6 in/ 4 out mixer that I had rigged for
stereo effects, an ART reverb/effects unit, an Akai sampler, Gibson Les Paul
electric and Martin acoustic guitars, Fender bass and Sequential Circuits
Prophet 5 synthesizer. At various times it also included a Teac ¼"
4 track, a Tascam cassette 4 track and a Moog synthesizer. The rhythm composers
('drum machines') were Rolands. The piano track for Zoon's was recorded with
the cassette 4 track in a practice room at school. I believe that Works on
Paper was partially recorded on the Teac ¼" 4 track.
When
we dubbed the master tapes to CD we didn't have the idiosyncratic and temperamental
dbx noise reduction unit that all this stuff had been recorded with(actually,
we had it but, typically, it refused to function) so we dubbed without noise
reduction. Thus there is more noise on these tracks than there should be.
The fact that all this stuff was recorded using the ping-pong multitrack technique
accounts for other noise and density issues. The studio was recently given
away after spending almost 7 years in a friend's shed.